禾光室內裝修設計 ─ Her Guang Design

禾光室內裝修設計 ─ Her Guang Design

禾光室內裝修設計 ─ Her Guang Design
禾光室內裝修設計 ─ Her Guang Design
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知物│識材 辦公空間

知物 ─ 知物之不同,知物同。

〈莊子〉中有一段齧缺和王倪討論萬物共同的道理,齧缺問乎王倪曰:「子知物之所同是乎?」…  這段話讓我們拋開框架,重新思考角料及夾板… 等基本素材。

台灣位於熱帶及亞熱帶交接處的台灣,長年平均溼度70~85%,在台灣北部室內空間不適合實木施作,因潮濕溫熱的氣候易使實木變形,因此台灣多以夾板貼實木皮的方式來呈現空間。

以「知物」為設計出發,回歸材質研究,以樹木植物細胞構造,探索生命對空間的需求。建材則以夾板、集層角料兼具抗潮及生態友善特性的素材,不再貼實木皮裝飾,呈現真實的觸感、質感不過度加工,只在表層做推油處理。透過未經多餘裝飾媒材的特性與表情,傳達與地球共生的態度,讓空間更具生命力。

Knowing the nature of things—both the similarities and differences.

In The Zhuangzi1, Nie Que2 asks Wang Ni3: “Do you know the common nature of all things?” The inspired our design. We should step out of the box, considering using more authentic materials. Before, wood veneer is often used as indoor materials rather than solid wood in high-humidity northern Taiwan. To implement an environmentally friendly design and highlight the pure nature, we use plywood and laminated veneer lumber(LVL) as the materials in this design, focusing on the concept of the “nature of things.”

The design returns to materials research and uses the plant cell structure of trees to explore life’s demand for space. Plywood and LVL are moisture-resistant and eco-friendly building materials. Wood veneer is not a choice anymore; we emphasize the real texture of the materials without too much processing but only an oil polish at the surface. The attitude of coexisting with the Earth is conveyed through the natural materials, bringing more vitality to the space.

1: Zhuangzi is a famous Chinese philosopher, and The Zhuangzi is a compilation of his and others writings.

2 & 3: Scholars at the time.

植物細胞壁具有保護和彈性的結構負責植物組織吸收、運輸、分泌… 等相關。將細胞壁形成的木質部及維管束轉化為空間中的格柵,通過基本建材夾板、角料做規劃,室外夾板格柵,串聯內、外關係,保持空氣流動、陽光自然引入,讓人與外在環境在適當的距離交流。室內集成角料製成的格柵,從天花往下延伸為特殊系統的植生牆面,像是大樹下掩蔽自然生長的綠意,室內淨化空氣的植物成為室外自然的風景。

The cell wall of plant cell is a protective and flexible structure responsible for absorption, transportation and secretion of plant tissues. In this design, the grids are a metaphor of the cell wall, connecting outdoor and indoor areas and introducing natural air and sunlight into the house. The indoor grids made of LVL extend from the ceiling and become a vertical garden wall, transforming the indoor space into a natural outdoor scene.

胞間層為細胞壁的最外層,讓鄰近的細胞連在一起。以開放式的雙面書櫃作為室內的胞間層,半穿透的書櫃誘發視線自由流動,空間中曖昧的氛圍四處流竄,讓公、私場域緊密相連又保有各自的空間。

In this design, the grids are a metaphor of the cell wall, connecting outdoor and indoor areas. Furthermore, as middle lamella is the outermost layer of the cell wall that links the adjacent cells together, the two-sided open bookcase is used to represent as the middle lamella. The semi-transparent bookcase creates an ambiguous atmosphere in the space, bringing the public and private area together but also ensuring their privacy at the same time.

樹木由眾多植物細胞組成的概念,運用在公、私場域中間的雙面開放書櫃,以夾板做出大小不一的開放格為獨立細胞語彙,再以堆疊的方式規劃出整面開放櫃,每個細胞的胞間層及細胞壁相互支撐,獨立又緊密結合。尋找舊料桌腳漆上新的色彩,成為開放櫃體中的支柱,放大量建材及書籍也能穩固。將材料細分出不同的皮層、面向的結合,醞釀出空間深度。

The concept that a tree consists of a number of cells is applied to the open bookcase. The plywood shelves with different sizes are regarded as independent cells, piling up to form the entire bookcase. It looks like the middle lamella and cell wall support each other, independent yet closely bonded. The pillars made of old table legs with new paint are solid enough to carry heavy materials and books. The materials are subdivided into different layers and orientations, creating a spatial depth.

藉由植物細胞的隱喻探索空間中的故事性,推翻一般常運用裝飾手法,研究再創新,空間才能持續演化,進而看見設計真正的價值。

In this design, plant cells are used as the metaphor to explore the story in the space. With such an innovative idea and non-conventional decorative techniques, the space gets to constantly evolve and further shows the real value of design.

  • 知物│識材 辦公空間

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  • 知物│識材 辦公空間

  • 知物│識材 辦公空間

  • 知物│識材 辦公空間

  • 知物│識材 辦公空間

  • 知物│識材 辦公空間

  • 知物│識材 辦公空間

  • 知物│識材 辦公空間

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